May Highlights
Crosby and Nash, Ben Vereen, Much Ado About Nothing and more.
"Since its release, A.I.: Artificial Intelligence has been much like its protagonist, David. Both are considered replacements for something that looks far rosier in memory. And, as a result, both have been scorned and have to work harder to find love in this world.
Much of this has to do with the history of A.I. The story finds its origins with 'Supertoys Last All Summer Long', a 1969 short story by Brian Aldiss. Stanley Kubrick first started adapting this story for film, but unfortunately died before he could see it through to completion. As an homage to his friend, Steven Spielberg picked up the project and finished it based on both his conversations with Kubrick and using Kubrick’s copious notes and illustrations.
How much this actually changed Kubrick’s intent for A.I., the film version, will never be known, but the switch from Kubrick to Spielberg forms the basis for almost every criticism of the film. In 'Creating A.I.', one of the features on the new Blu-Ray edition of the film, Spielberg insists that it was Kubrick’s intention to have Spielberg direct from very early in the process. Whether that fact is forgotten, intentionally ignored, or disbelieved, it hasn’t stopped the wave of complaints: Spielberg is too treacly and sentimental for the material, Kubrick would have made it darker, the final film is too close to Spielberg’s other movies (Close Encounters of the Third Kind and E.T.: The Extra-Terrestrial in particular) and, most emphatically, the ending was a tacked-on mistake to give the whole thing a happier ending.
Whether or not those arguments have merit—and, concerning the last one, Spielberg often claims in interviews that he only delivered on Kubrick’s blueprint for an ending—so much about A.I. has to be ignored to have those criticisms create the lasting impression of the film."Read the rest of the review at PopMatters.com.
Things Are All Too Real in 'All Good Things'
"Many directors fudge true stories by introducing made-up or re-imagined material for effect; Jarecki fudges his fictional work by basically making it as true and accurate as possible. The director is lucky that he found a story that doesn’t need much fictionalizing to still be so engrossing.In a way, however, this attention to detail might account for the movie’s biggest flaw. The film is framed by courtroom scenes that, if anything, detract from the tension set up by the true-life events. It seems that these scenes exist to provide an excuse to do a voice-over and have a lawyer come out and point-blank ask Marks to explain his motivations for certain events. A DVD feature later reveals that the transcripts from that trial—2,000 pages worth—provided much of the source material for the film. The movie doesn’t need these direct explanations, and Jarecki should have trusted the story to shine through without them."
Read the rest of the review at PopMatters.com.
An article on local ways to participate in Earth Day: "Here, it’s cool to be green. Our buildings use renewable energy. Our fine restaurant menus are chock full of ingredients from local family farms. Our boutiques are filled with handmade items constructed from recycled or sustainable materials. So, when you think of Earth Day, are you still picturing hippies in tie-dye and love beads sitting around in a drum circle? You shouldn’t be. This Earth Day, Westchester goes back to its roots—its roots in the soil, that is—at events that’ll connect people with the land they live on, with nary a VW bus in sight." Read the rest of the article here. Photo credit: Mark Jordan/Jordanstudio.com
April Highlights
Bret Michaels, David Itzkoff, and more.
The movie often brushes the girls’ stories aside in favor of major battle sequences. Amped up and exciting, these images have all of the trademarks of Snyder’s tricked-out style, slow motion at times and blended to look like long tracking shots at others. They’re set to loud music. They take place in far-off worlds and they’re incredibly fun. Much as the girls believe, escape into fantasy is its own reward."
Read the rest of the review at PopMatters.com.
My contributions to our recently launched business magazine:
Our Power Dozen: Catherine Marsh Profiling a nonprofit leader for our "Power Dozen" cover story: "Philanthropy is hard. There’s deciding what kinds of organizations you support, vetting them for legitimacy, and setting up a payment plan, not to mention all of that paperwork. Catherine Marsh, executive director of the 30-plus-year-old, five-employee Westchester Community Foundation, makes philanthropy easy—and possible for people who wouldn’t be able to do the legwork otherwise...'It’s one thing to give away fifty thousand dollars,' she adds, 'and it’s another thing to say, "Where can this fifty thousand dollars have the most benefit?"'"A Picture of Success in TarrytownHow one local performing arts institution has been successful during the recession: "In tough times, economists say life’s little extras—like tickets to concerts and plays—are the first things slashed from the family budget. Maybe those economists should study the Tarrytown Music Hall. Today, when many arts organizations are pulling back, the historic Main Street theater is growing. The Music Hall saw an increase of 31 percent in paid attendance from 2008 to 2009—just when Wall Street was hitting its roughest patch—and those numbers have held steady for 2010. Look back further, and the picture gets even rosier: attendance has grown more than 400 percent since 2005."
Westchester: Off-Off-Off Broadway?