As part of PopMatters' survey of 100 essential directors, I did a brief piece about Oliver Stone.
The 100 Essential Directors Part 9: Victor Sjöström to Luchino Visconti
Oliver Stone
Underrated: Nixon (1995) and W. (2008). These two films, though controversial, are not as easy to argue about or as quick to ruffle feathers as JFK. And, though political, they don’t touch the same kind of raw, emotional nerve as a subject like the Vietnam War, like Stone did in Platoon and Born of the Fourth of July (1989). As a result, they’re both overlooked, a shame considering what Stone manages to accomplish in them: painting a human, even sympathetic, portrait of a figure that stands for everything he’s against personally. The two imperial presidents are cast in very different lights: Stone’s Nixon, in his quest for power, causes his own undoing, while his George W. Bush is almost totally powerless, haplessly flubbing his way through his own presidency. And yet Stone manages empathy for them both, and gets award-worthy performances out of Anthony Hopkins and Josh Brolin in the process.
Click through to read the rest of the article at PopMatters.
Westchester vs. The City
For the September cover story, I wrote and edited a meaty package comparing Westchester County to New York City. The intro explains it this way:
"At some point, you made a choice between urban living and suburban living. For some of you, the debate between the two ended the second you put down roots in Westchester. Maybe you never had doubts to begin with. For others, the struggle continues within. Every time you pay your tax bill, you think that you may have been better off with a cute little condo in Brooklyn Heights. (But would you have had to give up your washer/dryer for the indignity of the coin-op machine in the basement?) Then again, when you notice that you inadvertently left the house unlocked—again—and return to find your possessions untouched, you might revel in suburbia’s relative safety, and congratulate yourself for making such a smart choice.
It’s time to put the debate to rest. We may wonder about it every day, but how does life in New York City really compare to our suburban Westchester existences? We pit urban and suburban living head-to-head, piling in as many of the pertinent stats and facts as we could, to put the arguing to rest once and for all. Here, our (completely unbiased) findings."
The rest of the package includes
...a comparison of housing costs in the two areas.
...a head-to-head match-up of amusement parks, public parks, music halls, historic houses, and art museums.
...a look at demographics and statistics.
...words from a chef about why he chose Westchester as the spot to open his restaurant (and a restaurant comparability chart).
...a comparison of crime statistics.
...a list of rejoinders to win Westchester vs. City cocktail-party spats.
...a side-by-side check of incidental costs, such as library fees or movie tickets.
...a Q&A with Westchester-to-City transplant Sloane Crosley.
...a look at the differences in commuting.
...a comparison of the retail landscape, with a list of which chain stores excel in each area.
...thoughts on how the NYC nightlife mostly trounces Westchester's, but how Westchester has more green space.
...three different first-person essays from writers who have lived in both areas.
Read the entire package by clicking through the links, or downlaod the PDF above.
Fall Arts Preview: Fall Movies
"Anonymous
Everyone knows that Shakespeare wrote Hamlet, Macbeth, and all those other great plays. But, to paraphrase the Royal Tenenbaums, what this movie presupposes is—maybe he didn’t? Director Roland Emmerich, best known for his disaster movies like 2012 and The Day After Tomorrow, offers a melodrama that asserts that Edward De Vere, the Earl of Oxford, is the true scribe whose work launched a million high-school essays.
The Artist
In the era of 3D, IMAX, and surround sound, it seems almost woefully backwards to recommend a movie that’s silent. Yes, silent. And black-and-white. And not in widescreen. The Artist is a new French film that takes place in Hollywood during the silent-film era, and it attempts to recreate that experience for current audiences. It’s a perfect antidote for those suffering from loud, color-saturated, quick-cut comics-movies fatigue."
Click through to read the rest of the article, or download the PDF above.
"Why Read Moby-Dick? by Nathaniel Philbrick
It’s an American classic and all, but, ugh, 700 pages about a whale? Really? Nathaniel Philbrick, author of the equally seafaring In the Heart of the Sea, makes a case for why you should sit down and finally read something that’s a thousand times longer than a Facebook status.
Dead End in Norvelt by Jack Gantos
This young-adult novel comes to us from Jack Gantos—author of the Joey Pigza and Rotten Ralph books—and happens to be about a nose-bleeding, grounded-for-life character…named Jack Gantos. Things get even stranger when he’s conscripted to type out obituaries for his town’s elders, an entryway into the strangest summer he’s ever had. It’s an unusual coming-of-age tale without a wizard wand in sight—imagine that."
Click through to read the rest of the article, or download the PDF above.
"Terra Nova
This series is executive produced by Steven Spielberg and bears more than a passing resemblance to one of his biggest hits: Jurassic Park. In it, a futuristic society, having depleted the Earth of all resources, decides to go back to a prehistoric era to try the whole civilization thing again. Except this time, there are dinosaurs.
2 Broke Girls
It’s like The Odd Couple, if the genders were flipped and the whole thing took place in a Hollywoodized version of the hipster-infested Williamsburg. Kat Dennings and Beth Behrs play the titular broke girls, one a streetwise chick and the other a deposed trust-funder, and they form an unlikely alliance with a goal of saving up enough tips to open up—what else?—a cupcake bakery."
Click through to read the rest of the article, or download the PDF above.
Fall Arts Preview: Fall Events
I wrote the massive guide to fall arts and culture, which was broken into Fall Events, Fall Books, Fall Movies, and Fall TV. For fall events, I covered upcoming art, film, music, theater, family happenings, readings, lectures, comedy, art and craft fairs, and special events taking place in Westchester September, October, and November.
"Talk Cinema
Film writer Harlan Jacobson screened The Girl with the Dragon Tattoo—the original Swedish version, of course—before almost anyone else here had a glimpse of Noomi Rapace’s nose-ringed face, thank you very much. And he doesn’t plan on getting scooped this season, either. For his Talk Cinema series, Jacobson shows an indie or foreign film before its release, then hosts a discussion afterward with a filmmaker or critic. You don’t get to know what film you see beforehand, but speculating is half the fun.
The Zombies
This will be their year: to celebrate the band’s 50th anniversary, the Zombies have planned a worldwide tour, with stops from Edinburgh to Tel Aviv. And, when they finally come stateside, they’re playing the Tarrytown Music Hall. In addition to ’60s hits like 'Time of the Season' and 'She’s Not There,' the band will perform songs from last year’s new album, Breathe Out, Breathe In."
Click through to read the rest of the article, or download the PDF above.
Upcoming
Cultural highlights including Joe Lovano, Gordon Lightfoot, Kelli O'Hara, and more.
"Pole Vault
When we think of the North Pole, we think of polar bears and Santa Claus. But to Anthony Fiala, the North Pole represented the limit of human achievement. The Stamford Museum & Nature Center explores Fiala’s ultimately unsuccessful attempts to be the first to reach the top of the world, including the expedition’s natural hurdles (his ship was crushed by ice) and the man-made ones (his crew rejected his leadership and quit). The expedition lasted from 1903 to 1905, but the museum’s exhibition will only last from September 10 to October 30."
Click through to read the rest.
101 Things to Do for $10 or Less
My contributions to Time Out New York's list of cheap things to do in New York City are sprinkled throughout their package, which is broken up into weekday, weeknight, and weekend activities. I covered items for all three lists, including: cruising the East River Ferry (No. 3), touring Grand Central Terminal (No. 6), bowling at the Gutter (No. 10) or Brooklyn Bowl (No. 30), catching a comedy show at the PIT (No. 61) or UCB (No. 70), seeing a rock show at the Mercury Lounge (No. 88), hitting up the matinees at the AMC theaters (No. 91), and walking the gardens at Wave Hill (No. 92).
"People’s Improv Theater
In January, the PIT moved away from New York’s informal improv-comedy district near the Magnet Theater and UCBT and into a new space with a full bar and approximately 100 seats—nearly double its previous capacity. It’s a great place to catch a comedian on the rise: Kristen Schaal and The Office and Bridesmaids’s Ellie Kemper were both on PIT house teams. Most weekday shows are rarely more than $10, but for the best value, stop by on Wednesdays from 6 to 11pm, when troupes flex their comedic muscles in six free shows. 123 E 24th St between Park and Lexington Aves (212-563-7488 thepit-nyc.com)."
Click through to read the rest of the article at Time Out New York.
'Take Me Home Tonight' Is Not Just Out to Get Drunk and Find an Easy Hookup
"Five years after the cessation of That ‘70s Show, its cast is still making their careers chronicling the stupid things we do when we’re young. This year, that’s often taken the form of entering into ill-advised, pure-sex relationships with formerly platonic friends of the opposite gender. (I’m looking at you, No Strings Attached‘s Ashton Kutcher and Friends with Benefits’ Mila Kunis.) Leave it to Topher Grace, the one who always seemed like the deepest of the bunch, to make the movie where the main character laments the follies of his youth without getting to have any fun at all.
His 2011 movie, Take Me Home Tonight, also comes with a richer tradition of young-adult cinema behind it. The events of the film take place within one 24-hour period, putting it in the same vein as all-in-one-crazy-night movies such as American Graffiti, Dazed and Confused, and Superbad. Its ‘80s time period and focus on its characters’ feelings makes John Hughes an obvious touchstone. And focusing in particular on a protagonist who can’t figure out what to do with the rest of his life puts it right alongside The Graduate. It’s as if director Michael Dowse set out to remake Sixteen Candles starring Lloyd Dobler"
"Even though all of the pieces are there, Take Me Home Tonight remains as a good example of another film in the ‘80s-nostalgic, all-in-one-night, John Hughes-esque genre without ever becoming something greater. It’s happy to follow along in the footsteps of its inspirations without ever really transcending them. (Even the soundtrack choices, which kick off with “Video Killed the Radio Star,” are pretty typical.) The character of Matt’s best friend, Barry (Dan Fogler), for example, seems more obligatory than compelling. Recently fired, Barry is off in his own subplot where he tries coke for the first time and finds himself enduring a series of increasingly ridiculous sexual adventures. His exaggerated portion of the film, not as thoughtful as the rest, seems like a calculated grab for Harold and Kumar fans." Click through to read the rest of the review at PopMatters.