PopMatters Day

Two of my PopMatters reviews went up on the same day. I love it when that happens.


Note: the lack of a capital "q" is the show's stupid stylistic decision, not mine. My review isn't much nicer: "This is the not-quite-true story of six friends picked to live in a house and have their lives taped, as one pensive video-blogger finds out what happens when people stop being polite and start being 'real'...A show where friends sleep around on each other, only to have truths revealed about their lives through a blog? It’s basically Gossip Girl, only without the awareness that it’s a total fantasy."

Right at Your Door

The movie was mixed, but it did make me jump up and buy a disaster-preparedness kit online: "Gorak manages to wring the maximum amount of fright out of this situation not by how large the disaster looms, but how small he makes it."

Also, PopMatters has now done this neat thing where you can search reviews by author, so you can see everything else I've written for them, too.


One of the best things about being an entertainment writer is getting to influence the rankings in collaborative year-end lists. (I don't think The Host would've made it on the list below if it weren't for me.) PopMatters just published its ranking of the 30 best films of 2007, and I got to weigh in on a few of them.

A Gallery of Good Works: The Best Films of 2007

I contributed three blurbs to the countdown:

No. 29 (save the best for second-to-last), for The Host: "Most foreign monster movies come with at least some degree of kitsch built in, and with that comes a distance that keeps audiences from ever being fully involved in the story. With The Host, South Korean director Joon-ho Bong annihilates that boundary."

No. 21, for The Assassination of Jesse James by the Coward Robert Ford: "Brad Pitt and Casey Affleck both give quiet, obsessive, breathtaking performances: Pitt as the charismatic-but-paranoid celebrity outlaw, and Affleck as his profound wannabe."

No. 3, for Ratatouille: "That one scene is enough to remind you that, for all of their snazzy rat’s-eye-view tracking shots, artistic renderings that make Paris look like the confection it is, and lovable characters with populist-not-preachy messages—none of which is a small feat to pull off—the true magic of Pixar is the ability to instantaneously leave all that behind for one moment so emotionally involving it can stop your heart for a second."

Coming Soon: PopMatters' list of the best TV of 2007!

Catching Up

I only just started compiling my clips, but I've been a professional writer since 2003. If you'd like to see anything else, I certainly can provide you with more. Highlights include "No More Empty Nest," about the social and economic reasons why young adults choose to live with their parents longer (no link available but I have the PDF), and "Cosmetics 101," about my personal foray into the world of beauty.