The Daily Traveler: Where to See the Best Fall Foliage

Everything you need to know about Northeast fall foliage: where to find the longest season, the latest start, the most variety, the least crowded destinations, and the most intense color.

Where to See the Best Fall Foliage

The longest season:
New Hampshire's Lakes Region
When to go: Late September through late October
Why go: The secret to finding a lingering foliage season is steering clear of the weather that knocks leaves from their branches. "I would choose those locations away from the wind of the coast and at higher elevations," says Jerry Monkman, co-author of The Colors of Fall Road Trip Guide. This New Hampshire region—which encompasses Lake Winnipesaukee, Squam Lake, Lake Ossipee, Mirror Lake, Newfound Lake and Lake Winnisquam—is protected from the harsh winds of the coast and doesn’t rise more than 600 feet above sea level, giving you the best chance for a long leaf season.
Where to get the best view: Obviously, from the middle of a lake (pick one). Bring a kayak and tone your paddling arms. "You can see red maples along the waterways showing their bright colors on the trees, and then reflected down into the water as well," says Tai Freligh, communications manager for New Hampshire's Division of Travel and Tourism Development.
Insider tip: If boating and hiking feels like too much exertion for a good view, tour the lakes region from a fall foliage train. The Winnipesaukee Scenic Railroad (603-279-5253,, $11 to $15) runs through October 21, and a two-hour round-trip ticket entitles you to a lakeside tour along tracks that were once a part of the Boston & Maine Railroad. Daytime rides come with the option of adding on a "hobo picnic lunch" ($10).

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Photo: NHDTTD/George Murphy

September Issue: Q&A with Tom Kitt

Broadway Box Office

When we last left Byram Hills High School grad Tom Kitt, he was arranging music for Green Day’s American Idiot after having won a Pulitzer for Next to Normal. He’s returned to Broadway with the high-flying cheerleaders of Bring It On.

This seems like the opposite of Next to Normal. What made you want to get involved? I love musical comedy, and Bring It On is a natural fit for a musical. But I also felt there was something emotional in the story, especially being set in the world of high school—high school is a loaded time for everybody. So even though the emotions are different than Next to Normal, there was still something moving about Bring It On, and it brought out a lot of feeling.

You worked on the music with Lin-Manuel Miranda of In the Heights. How are your styles different, and how were you able to combine them? It was wonderful to feed off each other. We started by doing the first number together, and we tried to capture that cheer energy in that electronic/pop world. Then we wrote the songs for the Jackson school, and he has that hip-hop vernacular that comes into play—he’s a virtuoso at it. But we wanted to make sure that every song had character development, and by the end it morphed so that it felt like Lin-Manuel, [co-lyricist] Amanda Green, and I all wrote the score together as one piece.

The musical is partially about finding what you love to do in high school. What was your big extracurricular at Byram Hills? I was into music, so I performed in the musicals. But I was also into sports, and I did soccer and baseball. I guess I was like the character of Randall in that I didn’t really do just one thing; I tried to run in all the different crowds.

Next month, the movie Pitch Perfect comes out, and you also worked on that. Were you already familiar with that a cappella world? I was in an a capella group at Columbia, and I’ve been wanting to do something about a cappella groups for a long time. My friend [and director] Jason Moore told me about the movie, and I told him I had to work on it. I arranged songs with people who live on the West Coast and work on The Sing-Off. One set piece that I worked on and am particularly proud of is the ‘riff-off,’ where you have to ‘steal’ songs by singing another song with the same lyric in a certain category. From the trailer, it looks like it really came off.

Bring It On is currently playing at the St. James Theatre.

DVD Review: The Hunger Games

'The Hunger Games' Looks More Like the Past than the Future -- and Too Much Like the Present

"The book covers a lot of ground, from wealth inequality to the media’s desensitization to violence. It’s a good thing, then, that the adaptation landed in the hands of a director as confident as Gary Ross. He understands that the movie should stand for itself, as opposed to functioning as a staged reading of the novel.

The most important shift, and ultimately the most successful one, is the decision to liberate the movie from Katniss’s point of view. The movie is thankfully voiceover-free—which would’ve been a cheap, easy way to sneak in both Katniss’s reactions and Suzanne Collins’s words—and actors’ facial expressions are allowed to stand-in for pages of inner monologue. The universe of the movie unfolds without being over-explained. Ross trusts his actors’ performances to get across the information we need to know without necessarily saying it, and he trusts the audience to absorb all of the movie’s nuances without underlining every revelation and reaction."

Click through to read the rest of the review at PopMatters.

Film Review: Red Lights

Red Lights doesn't exactly work, but at least it fails in an interesting way.

'Red Lights': Paranormal Beliefs and Doubts

"This situation also indicates that the movie takes place in a heightened reality, if not a downright alternate one, where paranormal activities and parapsychology are of such importance that a university funds not one, but three faculty positions dedicated to researching the subject. In this world, cable news breathlessly reports on every step of a retired psychic’s comeback—which draws sellout crowds in seconds—and someone else’s doubts about him wind up on page one of the newspaper."

Click through to read the rest of the review at PopMatters.