The Daily Traveler: Foliage Update

This article was posted last year, but updated this year with a couple of Midwest destinations sprinkled in.

The Best Fall Foliage in the U.S.

The least crowded: Southern Wisconsin

When to go: Second week of October

Why go: In general, leaf-peepers in the Midwest don't have to contend with the same kinds of crowds that they do in the Northeast. "I tend to think that the entire region is rather underrated," says Marek D. Rzonca of the Foliage Network. "Historically, when people think of fall foliage, they think of the Northeast and New England. That thinking is not without merit, as the displays in much of the Northeast are spectacular, but the Midwest has its gems as well. Wisconsin has grown in popularity, at least on our site." Danielle Johnson, from the Wisconsin Department of Tourism, calls the small resort town of Lake Geneva a "hidden gem for fall color" in Wisconsin. "Crowds die down in the fall," she says, "making it the perfect time to visit."

Where to get the best view: The Lake Geneva Shorepath Walk. The 21-mile trek gives you plenty of opportunities to see the fall colors set against the lake—and, as a bonus, it'll also take you through the backyards of historic mansions. Johnson says the town owes its popularity to the Chicago fire. "Wealthy Chicagoans fled to their second homes in Lake Geneva after the fire and made them their new homes," she says. This includes a number of properties that once belonged to the prominent Wrigley family. (Black Point Estate is the only one currently open to tours.)

Insider tip: Not content to look at those leaves from the ground? Lake Geneva Canopy Tours can take you much, much closer on a 2.5-hour tour through ziplines in the trees.

Click through to see the full slideshow at the Condé Nast Traveler.

Photo Credit: Clint Farlinger / Alamy





TV Review: Brooklyn Nine-Nine

'Brooklyn Nine-Nine': Cops and Recreation

The only thing that Brooklyn Nine-Nine doesn’t try to cram into the pilot is any sense of place. Sure, plenty of cop shows are located in New York City. That Brooklyn Nine-Nine zeroes on Brooklyn specifically seems like it should be significant, but the locations used in the pilot—a generic electronics store, an empty storage center—could be found in any city in America. (I fully admit that, as a Brooklyn resident, I might be overly sensitive.)

It’s not that the borough doesn’t have comedic or even scenic potential. Brooklyn Nine-Nine may have even attempted a joke at its expense in the pilot, one of the items stolen during a theft is, of all things, a really expensive ham. That seems like a crack at foodie culture and the proliferation of yuppy grocery stores in Brooklyn, but to make the parody land, the show could have pushed it further; the sham could have been an artisanally cured, hand-butchered ham meant for some kind of farm-to-table, nose-to-tail dining experience. And the thug who rips it off is your run-of-the-mill TV criminal, which leaves you wondering if he really has connections to the black market that would be interested in such a very expensive ham.

That said, even without exploring Brooklyn’s gentrification growing pains, the premiere covers a fair amount of ground in its half hour, however superficially. You get the basic outline of how the precinct works, some jokes, an open-and-shut case, and introductions to the main players delivered as Holt gets a rundown on each of the detectives from Sergeant Jeffords (Terry Crews, sadly underused in the first episode).

Click through to read the full review at PopMatters.




The Daily Traveler: Museum of the Moving Image


Why the Museum of the Moving Image is the Coolest Museum Ever

From its Breaking Bad exhibit to its vintage arcade and console games, the Museum of the Moving Image in Astoria, Queens, is one of the coolest museums in New York City. Here's why you need to visit ASAP.

REASON ONE: THE BREAKING BAD EXHIBITION
Admit it. While worrying about how the saga of Walter White will play out in its final season, you've pored over every frame of old Breaking Bad episodes, looking for clues to how it will all end. MoMI understands—and celebrates—your attention to detail. In its Breaking Bad-centric exhibition, the Museum lets you get a closer look at the props, costumes, color schemes, and other behind-the-scenes material that show White's narrative arc. "Our exhibition is all about process," says David Schwartz, the museum's chief curator. "We want to show what they do physically to bring about the transformation in Walter White."

Click through to see the full slideshow on the website of the Condé Nast Traveler.

Photo by Sam Suddaby/Museum of the Moving Image


DVD Review: The Great Gatsby


...But The Great Gatsby isn’t just about details. It’s about people. You’d think it’d be hard for any performance to punch through all that art direction, but the assembled cast succeeds in making an impression—not just the shining DiCaprio, who fully earns his reputation as a movie star. Cary Mulligan as Daisy makes for a beautiful object of adoration, but Mulligan also embodies Daisy’s flightiness and superficiality, while Joel Edgerton is a brutal, physical Tom Buchanan. Still, no one projects the sleek, slinky Jazz Age glamour as newcomer Elizabeth Debicki, who plays Jordan Baker.

Luhrmann doesn’t always get at the inner lives of all these characters. Poor Jordan is reduced to best-friend capacity, and her relationship with Nick is barely explored. That’s the other perpetual problem with The Great Gatsby adaptations—even at 142 minutes, your favorite part from the novel has probably been cut or altered. Luhrmann sneaks in as much as he can, but even he knows there has to be a limit somewhere.

But rather than mourning what has been cut, Luhrmann’s The Great Gatsby is worth it for what he’s able to keep in: the exuberance and longing of people living out their younger and more vulnerable years in a glitzy time. This version of The Great Gatsby is for those who are all about the riotous excursions, not those looking for the privileged glimpses into the human heart.

Click through to read the full review at PopMatters.

The Daily Traveler: NYC's Public Art

For the website of the Condé Nast Traveler, I put together a slideshow of the free, public art on view this summer in NYC.

Artist: Orly Genger
Location:
 Madison Square ParkMadison Ave at 23rd St
On view until: September 8

Undulating swirls of primary colors envelop the trees of Madison Square Park, courtesy of local artist Orly Genger and Madison Square Park Conservancy's Mad. Sq. Art program. Genger used 1.4 million feet of knotted rope for the project, some of it collected by lobster fishermen along the East Coast for reuse. When the installation has finished its run in Madison Square Park in early September, it will be shipped off and reassembled at the deCordova Sculpture Park and Museum in Massachusetts.  

Click through to see the full slideshow on the website of the Condé Nast Traveler. 

Photo by James Ewing



Film Review: Prince Avalanche



'Prince Avalanche': David Gordon Green's Quiet Comedy


Prince Avalanche remains resiliently funny. If there’s one thing Green has carried over from Pineapple Express and Your Highness, it’s silliness. This even as the new movie also resists the conventional aspects of that lesson: it may be painted with the same buddy-comedy brush as those films, but the description would be inaccurate here, since Alvin and Lance never develop a friendship. Instead of a movie where two people learn to accept the flaws in each other, Prince Avalanche is a movie about two people inhabiting the same space who learn to accept the flaws in themselves, even if these flaws are made up. Lance observes that they’re both “old fatties” (not true), Alvin minces his way through what an intellectual’s vision of an outdoorsman would be, and both argue about the “equal time agreement” on their shared boombox and chase each other around the woods. It’s some of the most enjoyable bickering ever put to screen.

Click through to read the full review at PopMatters.