With the relationships among MacMillan, Clark, and Howe in the foreground, Halt and Catch Fire makes impressive use of its time period without treating it as an elbow-to-the-ribs joke. Sure, there’s the obligatory Return of the Jedi reference, but there are no Rubik’s cubes, day-glo colors, “Billie Jean,” or any of the other hackneyed ‘80s touchstones. Instead, 1983 appears here to be a transitional year that separates the ‘70s from the ‘80s, pivoting to the age of the personal computer, and the details designating this moment are specific rather than generic.
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