Popmatters Round-Up

It's been a while, and there are more in the pipeline, so I figured it was a good time to do another PopMatters Round-Up

The Square

"In unfolding these events, The Square is almost remarkable in its straightforwardness. It is unadorned, like a square—all straight lines and right angles. This isn’t a twist on the noir genre, or an attempt to update and recontextualize it. This is straight-up about bad things happening to bad people."

Remember Me

"Tyler and Ally. They are a bundle of quirky affectations. He works in a used bookstore and re-arranges the books according to the sexual proclivities of the authors! She believes that life is short and disaster can strike at any moment, so she eats desserts before dinner! Ostensibly, Remember Me is a love story – is this a love story that filmmakers really feel the need to tell? Two self-involved adolescents take the time to see past their own problems and affectations to notice someone else for a brief moment in time?"

Mystery Team

"Though everyone in the cast is well matched to his or her role, it’s clear that they were chosen for the movie for their abilities to be naturally funny, not because they can disappear into their characters. The result is a series of encounters with small-town misfits that are exaggerated and distorted versions of the actors who play them (or at least were created with their comedic strengths in mind). This is the right way to approach the material, primarily because the actors they rounded up are really darn funny."


"Gorgeous, high-contrast black-and-white images—courtesy of cinematographer Mihai Malaimare, Jr.—give the film a more classic, timeless look.Tetro is worth viewing just to see the breathtaking shots of Argentina—which can easily be stunning with all of the naturally occurring color —done in the dreamy, luscious black-and-white style. Shown in a 2:35 aspect ratio, the shots in the film could be museum quality as still photography."

The Fantastic Mr. Fox

"Just as Tim Burton was able to use stop-motion animation to achieve a perfect expression of his gothic sensibility in his 1993 The Nightmare Before Christmas, Wes Anderson takes to the medium to make the most Wes Andersony movie possible. After all, his movies are always about the little details—the wallpapers, the ties—and stop-motion animation itself is nothing if not an amalgam of millions of little details."