You Can't Sink Your Teeth Into Any of the Ideas in 'Annabelle'
...With a period setting and a story centered on family, it seems like Annabelle is attempting to replicate some of the The Conjuring‘s strengths; it also duplicates the first film’s eerie moods and tense setpieces. In some places, it succeeds; Leonetti makes great use of deep focus, with threatening figures crossing the way, way back of the frame. These moments are startling without resorting to the typical, easy jump scares.
Leonetti doesn’t have Wan’s way with imagery, however, and these moments fail to build on one another. It seems at times like Annabelle is trying to imply that domesticity itself is under attack: sewing machines start by themselves, a bedroom television can’t get reception, and baby dolls are tampered with. But then it finds itself dabbling in pretty much any kind of horror-movie elements it can get its hands on, throwing in all different kinds of religious symbolism, other creepy children who have barely anything to do with the story, and an all-knowing bookstore owner (a thankless role for Alfre Woodard), so that its message, such as it is, becomes diluted....