New to Neu
The Neuberger Museum of Art gets a new executive director
Rufus Wainwright, Chris Isaak, a Dark Shadows festival, and more.
New to Neu
The Neuberger Museum of Art gets a new executive director
For the "How I Did It" cover package in our ancillary business publication, I profiled two local business owners who faced obstacles and turned their companies into unexpected successes.
How I Did It
11 Inspiring Tales of Unexpected Success
Featured on the Cover:
President, Bartizan Connects; Chairman, Addressograph Bartizan
...“If I had any brains, I would’ve said that I’m not going to compete with these other companies,” says the Yonkers resident. “I knew nothing about manufacturing. I didn’t have any money. I wasn’t bright enough to evaluate my obstacles. But not knowing anything meant anything was possible.” Armed with no knowledge and diving headlong into his company, Hoff was able to create a business that sold millions of credit-card imprinting machines and today employs more than 20 people.
After graduating with a degree in economics from UMass Amherst, Hoff did a four-year stint in the Air Force and held a couple of sales jobs when he returned. When one of the companies went under in 1970, Hoff and coworker Ed O’Reilly decided to form their own business. “He had an idea for a portable credit-card imprinting machine,” Hoff says. Though they knew nothing about manufacturing, the duo jumped into an industry that already had stiff competition; indeed, two businesses that made the same devices were Fortune 500 companies. “Out of the five companies that made these machines, we were number five,” Hoff says.
Hoff and O’Reilly manufactured the machines out of a converted stable on 76th Street in Manhattan. Hoff also lived there, illegally. A floating crew of friends, actors, and the unemployed worked at assembling the machines, and Hoff and O’Reilly got jobs waiting tables at nearby O’Brien’s Tavern to make ends meet. “I’d work at O’Brien’s until four am and get home at four-thirty,” he says. “The people who worked for us would show up at about eight am. I’d have to be up when they arrived. Then I worked with them until I had to be back at O’Brien’s.”
Owner/Operator, Creator’s Media Group
...Trama’s accomplishments become all the more impressive when you consider his background. When he was 9 years old, his parents went through a rough divorce—one that was especially tough on his mother. He was sent to live at Andrus, a residential school in Yonkers. “It’s tough being so young and without your family,” he says. “It’s like going to college when you’re nine years old. I had to take on a lot of responsibilities and learn how to take care of myself. When I left, I was twelve, and I was pretty self-sufficient.”
That sense of independence led Trama to start working when he was 13, caddying at a local golf club. “It was one of the best jobs you could have at that age.” He caddied every summer while he attended Valhalla High School. Then, in 1999, when he was 19, he enrolled in night classes at The Westchester Business Institute (now The College of Westchester) so he could intern at Creators, shooting and editing videos, which almost immediately became a full-time job. “Video was the medium you could do the most with,” he says. “It tested my creative skills.”
Click through to read the rest of the cover package online, or download the PDF of Lew Hoff's profile above.
My profile of a local resident who went from near-homelessness to starring in regional theater.
Big River, Big Journey
...Though FaTye is a natural singer and performer, he still had a lot of ground to make up in his training. Luckily, the Westchester theater community embraced him. “Ninety percent of my training happened in Westchester,” he says. FaTye worked with the Broadway Training Center in Hastings-on-Hudson, the Actors Conservatory Theatre in Yonkers, the Lighthouse Youth Theatre in Thornwood, and the Lagond Music School in Elmsford, among others. “He’s incredibly hard-working,” Mallah says. “At Children’s Village, on one snowy day, he just got up early and shoveled all the walks.”
After high school, he studied at the American Musical Dramatic Academy and the Collaborative Arts Project before attending NYU’s Tisch School of the Arts. Not wanting to give up his apartment in Elmsford, he’d wake up at 4 am to commute to his 8 am classes. “I was never late,” he says.
Now, he’s starring as Jim in Big River, a show he calls “the pinnacle of my life” because of its parallels to his personal history. “Jim tries to get away from hardship, knowing something better is out there for him,” he says. “That’s who I am. I was always looking for the light, for the freedom.”
Click through to read the rest of the profile online, or download the PDF above.
Guster, Steve Earle, Trollhunter, and more.
But moving the remains isn’t the only goal. With a few simple scientific tests, we can learn more about the famed Leatherman, separating man from myth. The Ossining Historical Society approached Nicholas F. Bellantoni, the Connecticut State Archaeologist, to lead the team of scientists conducting the tests and eventually re-interring the body.
'Of course, this is all predicated on there being preserved organic material to test,' Bellantoni says. 'I’ve seen graves like this where there’s nothing left but soil.' Here, he leads us through some of the tests and what we can learn from them.
Gross Morphology Examination—His skeleton alone can tell us his age, whether he had any severe traumas, or whether he had certain diseases. (If he had TB, for example, lesions would be visible on his ribs.) 'We expect to see a robust musculature,' Bellantoni says. 'After all, he walked for forty years of his life.'”
Click through to read the rest of the article.
My contributions to our recently launched business magazine:Our Power Dozen: Catherine Marsh Profiling a nonprofit leader for our "Power Dozen" cover story: "Philanthropy is hard. There’s deciding what kinds of organizations you support, vetting them for legitimacy, and setting up a payment plan, not to mention all of that paperwork. Catherine Marsh, executive director of the 30-plus-year-old, five-employee Westchester Community Foundation, makes philanthropy easy—and possible for people who wouldn’t be able to do the legwork otherwise...'It’s one thing to give away fifty thousand dollars,' she adds, 'and it’s another thing to say, "Where can this fifty thousand dollars have the most benefit?"'"A Picture of Success in TarrytownHow one local performing arts institution has been successful during the recession: "In tough times, economists say life’s little extras—like tickets to concerts and plays—are the first things slashed from the family budget. Maybe those economists should study the Tarrytown Music Hall. Today, when many arts organizations are pulling back, the historic Main Street theater is growing. The Music Hall saw an increase of 31 percent in paid attendance from 2008 to 2009—just when Wall Street was hitting its roughest patch—and those numbers have held steady for 2010. Look back further, and the picture gets even rosier: attendance has grown more than 400 percent since 2005."
Best of the Decade
An editorial feature package—edited by me and written with other editorial staffers—about the best county institutions that have been in business since the magazine was founded ten years ago. "One decade. Ten years of tireless research, experimentation, and reporting. Year after year, we scout out the most superlative offerings in Westchester County for our annual 'Best of Westchester' issue. Now, we’ve undertaken the enormous task of reviewing all of our previous editors' picks, distilling them down to the absolutely essential—the most stupendous, the most stunning, the most delicious, the most thrilling, the most dazzling—to bring you the 'Best of the Decade.' Think of it as the Best of the Best of Westchester."
Please click the links to read the articles in full.