PopMatters Year-End Lists: The Best TV of 2013 (and the Worst Movies)

The Best Television of 2013

No. 11
Girls
“One Man’s Trash”, a second-season episode of Girls, may have been polarizing even to the most strident fans of the show, but it proves why the series deserves a spot on any Top TV list. The episode finds Hannah Horvath (series creator Lena Dunham) spending a lost couple of days with a Brooklyn doctor (played by Patrick Wilson). The episode exists in a bubble; Hannah barely talks to any series regulars, and she and the doctor never venture outside of his brownstone together. It was so removed from the rest of the series, people speculated it was a dream. “One Man’s Trash” proves Girls’ originality and fearlessness. In a TV-watching culture that prizes serialized storytelling and binge-watchability above all else, Dunham isn’t afraid to take her show on a different tack and do a stand-alone episode. She’s also not afraid to go broad when other shows are trying to be grounded, or to show female characters spiraling out of control or refusing to grow up (normally the domain of male characters). It’s this willingness to take risks—some of which, admittedly, turn out to be more successful than others—that make Girls one of the most exciting shows on television.

No. 33
Sleepy Hollow
Sleepy Hollow throws everything at its audience. A time-traveling protagonist transported two centuries in the future? Yes. A menagerie of monsters? Why not. A secret, alternate history of the United States and Revolutionary War? Sure. Why not add in the Four Horsemen of the Apocalypse (the famed Headless Horseman is one) and other Biblical catastrophes, too? It all works together, mostly because Sleepy Hollow moves along at such a pace that don’t have time to pick apart how any of it is stitched together. The mix of supernatural elements also gives the show a balance between monster-of-the-week episodes (which usually come with cool creature designs) and episodes that lay out the mythology for the oncoming war between good and evil. But what really sells it is the charm of Ichabod Crane (Tom Mison), who sounds equally authoritative talking about 18th-century Freemasons as he does decrying the 21st-century “ten percent levy on baked goods”—aka the sales tax at Dunkin Donuts. Washington Irving would be tickled.


Click through to read the full list at PopMatters. I also had a few blurbs in The Worst Films of 2013 (#12, #16, and #23), but let's not dwell on the negative, shall we?